Collection – Galerie Marel

Poul Kjærholm, set of 4 Beton Elementer chairs. Fritz Halvorsens Betonvarefabrik. Denmark C.1954

admin1187 — Fri, 20 Feb 2026 08:33:45 +0000

An exceptional suite of four reinforced concrete chairs designed by Poul Kjærholm and produced by Fritz Halvorsens Betonvarefabrik between 1954 and 1964.

Developed in 1954, the model formed part of Kjærholm’s early exploration of single-material construction. Drawing on Gerrit Rietveld’s Zig Zag Chair, he extended this structural logic into cast concrete, creating a modular system of “Beton Elementer” composed of chairs and tables.

The project was commissioned by Niels Lauritz Dam, County Surveyor in Hjørring, who oversaw the expansion of the Danish highway network in the early 1950s. Kjærholm was tasked with designing furnishings that would be durable and adaptable across multiple roadside sites. In response, he developed a modular system allowing the elements to function independently or be combined in varying lengths.

Produced between 1954 and 1964, the elements were installed across approximately twenty locations in northwestern Denmark. Anchored below the frost line, they were conceived for permanence and direct integration into the landscape.

The chairs presented here remain in original condition and are structurally sound, showing signs of age including paint loss, surface wear, and a stable crack consistent with long-term outdoor exposure. This patina, inseparable from their history, reflects Kjærholm’s original intention for the Beton Elementer — conceived to endure over time.

Surviving today as a complete suite of four, these chairs represent one of the rarest and most unconventional chapters in Kjærholm’s work.

Bibliography: Michael Sheridan in collaboration with the Louisiana Museum of Modern Art, Poul Kjærholm: Furniture Architect, 2006, pp. 51, 53.

Sigfred Omann, pair of stools in oak and cane for Ølholm Møbelfabrik. Denmark, 1950s

admin1187 — Thu, 19 Feb 2026 18:32:14 +0000

This pair of stools was designed by Sigfred Omann for Ølholm Møbelfabrik, Denmark, in the 1950s.

A member of the Omann cabinetmaking family based in Ølholm, Sigfred Omann worked within the family workshop founded in 1892 by his father, Niels Omann, which he later took over.

The solid golden oak structure, with its round tapered legs and hand-woven cane seat, creates a light, well-proportioned silhouette typical of Danish Mid-Century design.

The pair is offered in excellent condition: the oak has been carefully cleaned, preserving its original finish, and the seats newly re-caned. Structurally sound and ready for use.

Viggo Hardie-Fischer, set of 6 Danish “Church Chairs” in oak for Sorø Møbelfabrik. 1950s

admin1187 — Thu, 19 Feb 2026 16:50:02 +0000

Set of six “Church Chairs” designed by Viggo Hardie-Fischer and produced by Sorø Møbelfabrik in Denmark during the 1950s. Inspired by the work of Kaare Klint for the Bethlehem Church in Copenhagen, this model was originally conceived for Mariehøj Church, consecrated in 1958, for which Hardie-Fischer served as architect, and remains in use there to this day.

Crafted from solid oak with woven paper cord seats, these chairs feature a direct, well-proportioned ladder-back structure. Originally made for church interiors across Denmark and Sweden, they were conceived for durability and daily use.

Simple yet elegant, the combination of warm oak and natural cord introduces texture without ornament. Beyond their ecclesiastical origins, these chairs integrate effortlessly into contemporary interiors and sit comfortably alongside works by Scandinavian modern designers such as Børge Mogensen, Hans J. Wegner, Tapio Wirkkala, Josef Frank, Paavo Tynell, Alvar Aalto, and Hans-Agne Jakobsson.

Patina and traces of use to the paper cord. Very good overall condition. Seat height : 45 cm.

Maurice Calka, rare “Eiffel Tower” K1 chair. France, c. 1966

admin1187 — Thu, 15 Jan 2026 11:58:45 +0000

Maurice Calka, rare “Tour Eiffel” K1 chair. France, c. 1966

The K1 chair was part of Alpha International’s first furniture collection for private interiors, launched in 1966. Maurice Calka was selected to design the initial pieces, preceding later collaborations with designers such as Pierre Paulin and Joseph-André Motte.

This example is a rare variant of the K1 chair, more commonly found with the circular “DS wheel” base. It features a resin and fiberglass shell, upholstered in polyvinyl stretched over latex foam, resting on a chromed steel base known as the “Tour Eiffel.” Calka drew inspiration for this structure from the work of Charles and Ray Eames, whom he greatly admired.

As of this listing, the only other known example of this variant is part of the Centre Pompidou collection, donated to the national museum by the artist’s family.

Surface wear consistent with age and use. Good vintage and structural condition.

Bibliography: Xavier De Jarcy, Maurice Calka, le sculpteur du design, Éd. Albin Michel, 2022, pp. 214–217.

Aldo Tura, Calice Dry Bar in Lacquered Goatskin. Italy, C.1950

admin1187 — Thu, 15 Jan 2026 11:58:44 +0000

Aldo Tura, Calice Dry Bar in Lacquered Goatskin. Italy, C.1950

Illustration of Italian creative freedom in the mid-20th century, the Calice bar was designed by Aldo Tura, renowned for his innovative use of lacquered goatskin and his distinguished craftsmanship. This piece embodies the emblematic characteristics of Tura’s work: original forms, luxurious materials, and a distinctive playful aesthetic.

The bar features a curved silhouette, evoking the shape of a chalice, clad in light-colored lacquered goatskin and decorated on all sides with three illustrations of 19th-century equestrian figures. It is topped with a removable round glass tray, framed in brass — ideal for serving— and opens to reveal a mirrored, backlit compartment with a fixed glass shelf.

The piece presented here shows surface wear consistent with age: scratches, scuffs, and areas of varnish loss, along with a notable loss to the brass rim of the tray.

Aldo Tura (1909–1963) was a leading figure in postwar Italian design, active primarily in Lombardy near Milan, where he founded his workshop in 1939. He developed a highly recognizable style that combined traditional artisanal techniques with bold materials. His work is particularly known for the use of tinted, hand-lacquered goatskin applied to sculptural furniture forms. In addition to goatskin, he experimented with lacquered wood, metal, glass, and occasionally more unusual materials such as eggshell. His creations, produced in small series or as unique pieces, are now sought after for their rarity, refinement, and unmistakably decorative character.

Fritz Hansen, Wingback Armchair Model ‘FH 8023’, Denmark C.1950

admin1187 — Thu, 15 Jan 2026 11:58:44 +0000

Made in Denmark—birthplace of the renowned furniture maker Fritz Hansen—this striking wingback chair is a standout example of Danish Mid-Century Modernism, with a silhouette that is instantly recognizable.

First introduced in Fritz Hansen’s 1951 catalogue, this model embodies the company’s legacy of producing some of the most iconic chairs of the mid-20th century. Like many of their designs, it represents a perfect balance of form and function—timeless in its appeal, yet ever contemporary.

Founded over 140 years ago in Copenhagen, Fritz Hansen began with a steadfast dedication to traditional Danish craftsmanship in woodworking and joinery. In the postwar era, propelled by visionary designers such as Arne Jacobsen, the company embraced innovation—adopting modern materials and forward-thinking techniques that positioned it at the forefront of Scandinavian design. The model 8023 wingback chair reflects this spirit of evolution. Often referred to as a “hammer” style, it features elegantly curved wings: the back wings curve inward, while the armrest wings arc outward, creating a beautifully balanced form that feels both open and inviting.

Light traces of use and patina of time, good overall condition. Denmark, C.1950.

Erik Gunnar Asplund, “GA9” Wall Lights for ASEA, Sweden 1940s

admin1187 — Thu, 15 Jan 2026 11:58:44 +0000

With its organically shaped blown glass shade, especially rare in this opaline frosted glass version, the GA9 resembles a floating droplet. Designed by Swedish architect Erik Gunnar Asplund, widely regarded as the godfather of Swedish modernism, this lamp embodies his signature geometric clarity and structural ingenuity. Like his Stockholm City Library, it balances simplicity with innovation.

A bent arm holds the glass, while another secures the light source at the luminaire’s center. The black lacquered metal curves organically, contrasting with polygonal backplates—an interplay of geometry and fluidity that defines Asplund’s vision. The large, mushroom-like shades diffuse light in a soft, mesmerizing glow, enhancing the atmosphere beyond mere functionality.

Asplund’s influence extended to Scandinavian design icons such as Alvar Aalto, Erik Bryggman, and Arne Jacobsen.

Manufactured by ASEA ( an acronym for Allmänna Svenska Elektriska Aktiebolaget — “General Swedish Electrical Limited Company”) during the 1940s. In good vintage condition. Wear consistent with age and use. The metal structure has some marks and scratches.

Price for a set two, two sets available.

Studio Tecnico A.P.A, pair of armchairs model M530 for Lenzi. Italy, C.1950

admin1187 — Thu, 15 Jan 2026 11:58:44 +0000

Studio Tecnico A.P.A, pair of armchairs model M530 for Lenzi. Italy C.1950

A pair of stunning armchairs, model M530, designed by Studio Tecnico A.P.A for Lenzi and manufactured in Italy during the 1950s. These armchairs feature excellent proportions and a very distinctive design, inspired by the Cubist movement, with their sharp angles and clean lines, contrasting playfully with their exceptional comfort. They have undergone complete restoration and have been reupholstered in white fabric. Price is for the set. Seat height : 44cm.

All items offered for sale are in perfect functional condition, yet, as they have already gone through one or more lives, they may show normal signs of use, slight discoloration and patina of time. We always carefully clean our products and restore them, if necessary, as faithfully as possible to their original design. If you are interested in one of our items but would like it completely refurbished or reupholstered, please contact us and we will be happy to help you get the item you want, the way you want it, in collaboration with our partner craftsmen.

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Artist Unknown, Abstract Composition, Acrylic on Canvas.

admin1187 — Thu, 15 Jan 2026 11:58:44 +0000

Beautiful abstract composition in white grey and black acrylic. Canvas on wood panel, in a black aluminum frame Artist unknown.

Hans J. Wegner, Town Hall chair. Denmark C.1940

admin1187 — Thu, 15 Jan 2026 11:58:44 +0000

Designed in the early 1940s and originally commissioned for Denmark’s Aarhus City Hall—a project led by renowned architects Arne Jacobsen and Erik Møller, who entrusted Hans J. Wegner with the furnishings—the Town Hall Chair is a genuine piece of Danish design history.

Crafted from solid oak, each chair has been reupholstered in premium cognac leather, true to its original design, and carefully cleaned and lightly waxed to revive its shine while preserving its beautiful patina. Each chair has aged uniquely, with one displaying slightly darker tones than the other. This highly versatile piece makes an ideal addition to any room—be it an office, living room, or master bedroom.

The clean lines, superb proportions, and exceptional comfort foreshadow Wegner’s future success as one of the most acclaimed designers of the post-war era.

Price for the pair.

Hans J. Wegner (1914–2007) was a Danish designer who played a central role in defining Scandinavian modern furniture. Often called the “Master of the Chair,” Wegner created renowned chair designs, such as the Wishbone, Peacock, and Shell chairs. His work is celebrated for its craftsmanship, simplicity, and enduring appeal.

Wegner was born in Tønder, Denmark, and began training as a cabinetmaker at age 14. After his apprenticeship, he studied at the Copenhagen School of Arts and Crafts, developing his signature style: an elegant, organic blend of form and function that highlighted the natural beauty of wood.

In the 1940s, he started collaborating with prominent furniture maker Johannes Hansen, launching designs that quickly gained international recognition. By the 1950s, Wegner’s work had established him as a pioneer of minimalist, functional furniture. He also collaborated with other Danish modernists, including Arne Jacobsen and Erik Møller, for major projects such as Denmark’s Aarhus City Hall.

Wegner’s philosophy, which he called “organic simplicity,” emphasized comfort, durability, and beauty in every piece. His designs, with thoughtful details and curved wood forms, continue to inspire designers globally. Among his many honors are the 1951 Lunning Prize and the Danish Furniture Prize. Today, his work remains beloved and iconic, embodying the timeless quality of Scandinavian design.